......................Ford Madox Brown. Cordelia's Portion, 1866.I've never been that huge a fan of Shakespeare's King Lear, but recently I have begun to see it in a different light, and am beginning to understand it a little bit better. It is a very intricate and complicated play, which I've never had much patience for. Until now. Anyway, I won't go into too much detail. Most of you guys are familiar with at least the overall theme of the play, if not its complicated and intricate storyline. To tell the truth, I'm still grappling with some of the intricacies of it myself. I won't venture to lecture anyone on it. Go to Sparknotes for a breakdown, I've found it helpful. The illustration above is from Act I, scene i., where the action of the play begins, and the overall theme is introduced. In it, flattery and lies are mistaken for love and loyalty, and honesty and truth is mistaken for disloyalty and enmity. Tragic, but without it, there wouldn't be a play.
It's like in a horror movie when the heroine goes down to the basement (or into the cemetery) at night, with nothing but a candle or flashlight, to investigate that odd noise. You're going "NO, don't do that, you IDIOT," but does she listen? Answer: No. And it's a good thing she doesn't, otherwise there isn't the rest of the movie, and you don't get to see her get her head chopped off, or realize TOO BLOODY LATE that she can't take that decision back.The difference is that Cordelia is right. And the woman in the horror flick is an eedjit. But the end result is pretty much the same.
OH, NOOOOOOOOOOO.